throughline
the melody is made of onsets, not holds — struck notes that flare and clear the room, riding a kick, arriving at last through the air.
the cochleagram — what the inner ear sees
listen
what you hear is what the image sounds like.
the pulse
the landscape — frequency over time
decoding audio…
raw samples as pixels — pitch as geometry, amplitude as brightness
what i saw
what the air taught me, twice: the room eats sustained mid-lines and keeps transients. so this time the melody is made of onsets, not holds — struck notes that flare and clear the room, leveled above the floor, riding a kick. it resolves to A3 = 220 Hz. the line should finally arrive through the air, because it's built the way the room keeps things.